Surfing on YouTube, I found this video of an outdoor concert I went to, on Earth Day, in a kiosk in Monterrey’s Macroplaza. There were barely some 80 people there, but the dancing was absolutely wild as you can see from the second minute of the video onward.
This is “La Siniestra” one of the bands I enjoyed the most, singing their song Wepa. The guy singing this song has a lot of charisma, and exuded fun. But there were two bands that inflicted us with the kind of sonic torture that makes me ponder on how excruciating hell would be.
A group of percussion students from a music school opened the evening playing on African instruments. People jumping, neo-hippies, and punk rockers could be seen in the crowd. Nearly everyone was in their twenties, or at least looked it. A young man waved a green flag, dancing barefoot. A young lady swayed slowly and gracefully side to side to the beat of the drums. The few office workers who wandered in look alien in business attire, and wear confused expressions. Preppy “fresas” wearing Abercrombie & Fitch or American Eagle mingled with people wearing psychedelic clothes that looked old enough to have survived the 60s.
A young lady handed out pamphlets and brightly asked for our emails and cell numbers, happily giving me a sheet of earth-friendly, non-bleached paper to write this entry on. I had my laptop, but didn’t dare call attention to myself by opening a macbook at night in the middle of a city of millions.
Afterward, an eco-punk band provided some unintentional comic relief by tearing the night with screaming lyrics. This sent the dancers into a convulsive frenzy with dances that might have outdone the Garifuna. Thankfully, the sound technician lowered the volume on the lead singer’s mike before she could do much damage.
Next, “La Verbena Popular” gave us a mix of old-style rock and roll, a heavy dose of Mexican pop-rock, and even a slice of Caribbean Reggae. They closed with a hippie-rock song that wouldn’t have been out of place at Woodstock, which set the crowd dancing exuberantly, ignoring the sarcastic grins of the non-dancers.
Then, “La Siniestra” exploded onstage, with an even more Caribbean rhythms, a dash of rap, a pinch of cumbia, positive, slightly leftist earthy lyrics, and contagious rhythms. A spicy-sweet musical feast.
But what came next could only be described as the soundtrack of Hades. I’ll spare you the piercing, horrific, mind numbing, shrieks of the last two bands. When they ended, the place was deserted, except for musicians, sound techs, and the odd ex-dancers lying on the ground.










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